Friday, 2 June 2017

#Exquisite #BlogTour #SarahStovell


Exquisite

An exquisite cover, an exquisite blurb, an exquisite premise and to be honest, an exquisite book! Sarah Stovell, you have a new a fan - although I suspect those words send a slight shiver down Stovell's spine considering that her novel is about the obsessive relationship between a writer and an aspiring creative writing student!  But as I'm a book blogger she's obviously not in any danger........*cough*

Bo Luxton has it all—a loving family, a beautiful home in the Lake District, and a clutch of bestselling books to her name. Enter Alice Dark, an aspiring writer who is drifting through life, with a series of dead-end jobs and a freeloading boyfriend. When they meet at a writers’ retreat, the chemistry is instant, and a sinister relationship develops. Or does it? 

Breathlessly pacey, taut and terrifying, Exquisite is a startlingly original and unbalancing psychological thriller that will keep you guessing until the very last page.

The novel is told from two different points of view, Bo and Alice. Both narratives are first person and both are as compelling, engaging, confusing and unnerving as each other.

The book starts with Bo, a writer living the writerly dream in the Lake District. From the outset, Bo's ability to play with language is clear as she explains the relationship between herself and her husband. There are subtle indications that she might be more underhand or manipulative than she presents which initially reflects the character's apathy towards her marriage rather than hinting at any tension or danger. She knows how to nudge her husband along into agreeing with her plans to move, to write, to live more separate lives so the reader accepts it for being what she states and simply stores this information of a tired marriage for later.

I liked the descriptions and observations about her life which also reflected Bo's (and Stovell's) ability to use language skilfully.

"Somehow, over the years, our everyday language had slipped away..... We'd become like furniture to each other: necessary for an easy life, but really just part of our surroundings - noticed only if visitors arrived." 

Bo is happy with her life. Her marriage may have lost it's direction but she has the freedom to pursue her writing and spend time with her daughters - who she claims to the most important thing in her life. Appearing to have it all, there is a sharper edge to Bo and as she sets off to teach her writing course she says:

"It was the old conundrum of motherhood: always, I craved the time away. But when it came to it, I couldn't bear the distance between us."

As Bo continues to talk about leaving her children, something does begin to bother the reader about the exaggerated emotional reaction and hint that there may be more going on here. From early on the reader is intrigued to find out more about Bo and her back story; slightly superstitions of this 'perfect' mother and writer.

We meet Alice in the second chapter and her voice is equally fluent, engaging and intelligent. Alice has finished her University degree course and now has to face the fact that her passion for literature and writing is not enough to live on or separate her from every other young graduate who wants to be an author. Although eloquent and able to use imagery effectively, Alice's voice also captures her youth, her wry humour and her creative talent; she can be honest and she can be blunt. I liked her freshness and I liked the contrast of colloquial language alongside her musings on writing.

"I braced myself for a polite note, saying I hadn't been successful this time, but perhaps I'd be interested in one of their other courses, for beginners, at an extra cost of £2000 because those students suffering my particular level of delusion required a special kind of expensive tutor."

There is a lot about creative writing, being a writer and the struggles and craft of writing in this novel; I did wonder a few times whether this would resonate with readers who were not writers. But as obsession, passion and writing are key themes in the book it does make sense to allow both characters to talk about writing and how much it overwhelms, drives and compels them as people. Personally, I enjoyed Alice's humorous comments about the creative writing courses and found the comments from both characters about the life of a writer interesting and easy to empathise with. I think it enhances the obsessiveness and intensity of the characters and the relationship between them.

"Starting out with anything creative is like turning on an old tap. The water comes out brown at first because you're emptying your psyche of rubbish. Once you've got rid of that, it will run clear."

At times Bo is unlikeable - or perhaps more obviously flawed. I didn't ever dislike her but a few times I was rolling my eyes -as I believe is deliberately intended and contrived by Stovell, master manipulator extraordinaire. I smiled when Bo arrives at the course and reveals her egotism as she says that students were like "parasites" who would follow her around, "desperate to be singled out".

"Most writers, I felt sure, had not been loved enough as children."

The role of mothers is very significance in this novel. Alice is filled with angst and hatred towards hers and this experience forms the basis of her initial novel openings. Bo is outspoken about the impact mothers have on relationships, implying she has a great relationship with her two daughters yet she is actually hiding a deep trauma - and her refusal to come to terms with it leads to drastic consequences for both her and Alice. This contradiction in Bo -to be able to understand some things so clearly yet misunderstand other things, to use her influence over people and children positively and yet to also abuse it, is what makes her a fascinating character. A character that the reader is never really sure whether to like or dislike, have sympathy for or not. And although we may not like her, we  want to watch her.

The connection between Alice and Bo when they first meet is very powerful. But this is not unbelievable - particularly within this kind of creative environment. Being away with a group of people can lead to fast and deeply formed friendships - particularly as Alice is impressionable, vulnerable and susceptible. But Alice's comment that after half an hour with Bo she felt "exhilarated and frightened" starts to sow the seeds of tension and prepare the reader for what really is an exhilarating and frightening relationship.

When Bo talks about Alice later, her voice quickly reveals something more to the reader - although initially I was unsure whether it was just arrogance, egotistical or something more untoward, it certainly shows that she is aware of her hold over this girl and the power that she has over her.

"I knew the effect I was having on this young woman. I made sure our eyes met as we spoke and could see her, wide eyed and attentive, and in my thrall: I was the older, wiser writer who was telling her, right here, right now, that she was brilliant."

The novel then sets off at a gallop. The blurb says Exquisite will keep you guessing and it does, but I wouldn't describe it as a book with jaw dropping twists. For me the beauty of this book was that it was a series of mini revelations, mini pieces of a puzzle that were constantly dropped in your lap and a series of moments forcing you to re-evaluate what you thought you knew. I kept changing my mind about who I trusted, who I sympathised with, where I thought the story was heading and I found the whole ride thrilling. I had suspicions and I probably did know how things would turn out in the end but I didn't want to admit it to myself as I was so absorbed in the story and the characters narratives. For me, this wasn't about 'guessing' a twist but revelling in the authors's skill, control, chacteristation and exquisite structure.

I love unreliable narrators so was delighted to find a book with two! The unreliable narrator is a great device and is cunningly well played here. This is a book about two people who misinterpret what they want, need, have and feel. It's breathless, it's exciting, it's eerie and unsettling. It's emotive and the ending is superb!

I am rating this book 5 stars. I really enjoyed this book so why shouldn't it get 5 stars?! It kept me reading, I couldn't be distracted from it and the characters got under my skin. The fact that the story goes backwards and forwards as you see things from the two different points of view and you have to piece everything together was exhilarating and made it an absolute page turning. It was clever and ambiguous, but not so much so that it distracted you from the characters.

I think this was an exquisite psychological thriller and I can't wait to see what Stovell does next as I'm sure it will knock my socks off. I highly recommend this novel!

Exquisite is published on 15th June 2017 by Orenda Books.

Don't miss the rest of the Blog Tour!


And if you like the sound of this book don't forget about these titles to try as well!

The Woman Next DoorLying in WaitThe Swimming PoolThings We Have in CommonHer

You (You, #1)


For more recommendations and reviews follow me on Twitter @KatherineSunde3 or via my website bibliomaniacuk.co.uk

Wednesday, 31 May 2017

#BibliomaniacsBookClub #June #WhatAliceKnew

What Alice Knew

JUNE'S BIBLIOMANIA is for 

WHAT ALICE KNEW By T A COTTERELL 

Alice has a perfect life – a great job, happy kids, a wonderful husband. Until he goes missing one night; she receives a suspicious phone call; things don’t quite add up.

Alice needs to know what’s going on. But when she uncovers the truth she faces a brutal choice. And how can she be sure it is the truth?

Sometimes it’s better not to know.


What Alice Knew was published by Black Swan on May 4th 2017.

Read my review of What Alice Knew here.

Book Group Questions about What Alice Knew:

I had also painted subterfuge. ......I had painted the fragile interplay of power and trust, money and fear, love and mobility. I had painted the portrait of a second marriage. What does the book say about artists? Did you enjoy the role of art, painting an artists in this book?

The novel is written from the point of the view of a woman but the author is male. How convincing do you find the female voice in this novel?

Uneasy lies the head that wears that crown.” Can you have it all? Does success and happiness make you more miserable? What about for the characters in the book?

Part of the reason this book resonates is because it is so relatable. It’s about ordinary people in ordinary situations. It’s very believable and probably captures our deepest fears of what could happen to any of us. Do you agree? Did you find the story, the characters and their relationships believable?

"Lies compound like a debt until you can no longer pay the interest.” What points or ideas does the novel explore about lies and lying?

What do you think of the phrase “difficult truths and infinite lies” and the harm of a “little white lie”?

Is there an easy way to ‘confront’ someone?  How would you confront someone? What advice might you have given Alice at various different stages of the novel?

What was the most powerful theme to you? Truth, marriage, friendship? Loyalty?
Honesty? Perception / expectations? Class / parenting / stealing  / apologizing

What questions do you have at the end of the book – can the book group help you answer them?

What do you think about the ending? What do you think made the author write this ending? How else could it have ended?

Would you ever pick truth over a friendship or over a husband? How hard is it to tell the truth sometimes? Are there lines we should never cross not even to protect those we love?

What do you think about the statement: ‘A mother must give up everything for the happiness of their child’?

What do you think the novel has to say about resilience?

How did you feel towards the other characters in the book? How convincing do you find Marnie?

**BONUS MATERIAL** Questions that TA Cotterell would like to put to a Book Group:

Marnie: “The Alice I knew at school always believed in some larger truth.” To what extent is Alice a victim of/martyr to her beliefs?

‘Instinct is more powerful than knowledge’. How does this idea inform Alice’s actions? An alternative quote to illustrate the same point might be: ‘Don’t paint what you see, paint how you feel’.

And, I suppose the obvious one: What did Alice know?

Quotes from the book which might be a good starting point for a discussion:

Because once you start something, is there ever any way to go back? Once you know something, can you ever 'unknown' it again?

"Life doesn't just 'go on' as the cliche has it. The clocks are reset, relationships recalibrated."

"Life isn't only what you see in front of you. It takes place in the margins, in the lines between the squares." 

“Too often beautiful boys make unhappy men.”


Props to start to a discussion about What Alice Knew:
  • Bring along your favourite painting / portrait 
  • Postcards of paintings from Hopper /Rembrandt /Caravaggio/Picasso /Pollock /Turner
  • Mirror 
  • National Portrait Gallery leaflet  / guide book 
  • Painting equipment 
Venue for the book group:
  • painting class 
  • gallery 
  • café at gallery
What Alice Knew is about art and painting so why not include this in your book club session? Here's a few fun ideas!
  • Think of some famous portraits. What do they reveal about the character? What aspects of the sitter’s character do they reveal that the sitter might not have wanted revealed?
Here's a few to get you started! 


 
 
  • What is your favourite painting and why?
  • Take one of the paintings above, or one of your own and write a short story / jot down some ideas / talk about what the story behind the painting might be.
Novels about paintings or portraits: 

RebeccaThe Picture of Dorian GrayMy Last DuchessThe Goldfinch


Novels by male authors with female protagonists

The Pursuit of HappinessON GREEN DOLPHIN STREETRestless

If you enjoyed What Alice Knew then try: 

The WidowIn Her WakeLying in WaitMy Husband's Son

For more book recommendations, reviews and Book Club questions and suggestions, follow me on Twitter @KatherineSunde3 or on the Bibliomaniac's Book Club pages on my website bibliomaniacuk.co.uk

#BibliomaniacsBookClub EXTRA #WhatAliceKnew #AuthorQ&A

What Alice Knew

Alice has a perfect life – a great job, happy kids, a wonderful husband. Until he goes missing one night; she receives a suspicious phone call; things don’t quite add up.

Alice needs to know what’s going on. But when she uncovers the truth she faces a brutal choice. And how can she be sure it is the truth?

Sometimes it’s better not to know.


What Alice Knew is published by Black Swan on 4th May 2017.

What Alice Knew is Bibliomaniac's Book Club choice for June. You can find my review of What Alice Knew here and everything you need to run a book group session on What Alice Knew here.

But this post is a Bibliomaniac Book Club EXTRA! Questions for TA Cotterell himself! Read on for some fascinating insights into the novel, the author TA Cotterell and his favourite painting. Thanks so so much to TA Cotterell for answering my questions and taking part in this special blog post as part of my June Book Club feature. I am very grateful! I hope you all enjoy reading his answers as much as I did!

Can you sum up the book in one line?

What Alice Knew is a psychological thriller that turns on a character and an idea rather than a set of fingerprints and a smoking gun.

What is your most favourite portrait painting? Why?

Edward Hopper’s ‘A Woman in the Sun’ (1961). Hopper captures the solitariness of existence better than any other painter. His people, whether standing naked or playing the piano or sitting at a bar, are always alone, whether they are depicted in company or otherwise, whether it is his wife (as in this case) or a stranger. I hope I caught something of that quality in Alice. In Hopper’s art there is no possibility of communication or interaction, no sense of togetherness. Yet the paradox is that through this separateness his work communicates something to us about the mystery of existence far more powerfully than if there were jovial figures socialising. Often one sees a lonely house or service station, or near-empty bar or café, particularly at night, and a Hopper image leaps to mind. In such a way he creates some sort of communion where there is none.

"What is a portrait if not the opening up of a character, the physical manifestation of the story of a life." [What Alice Knew]

If you could write a story behind the face in one painting (portrait or scene) which painting might you choose?

‘Bonaparte on the Bridge at Arcole’ (1801) by Jean-Antoine Gros

This painting really is ‘the physical manifestation of the story of a life’, and portraiture, as Alice knows, “spares no one”.

Classicism and Romanticism are the twin poles of art history. The former venerates order, reason, drawing, the study of the ancients; the latter energy, emotion, colour, innovation. They are mutually exclusive.

Gros trained under a stern Classicist, Jacques-Louis David, but his sensibility was Romantic. Unable to restrain his impulses he painted a series of paintings, such as this, noted for their dazzling brushstrokes, bold colours, rejection of Classical ideals of composition, near abstract backgrounds, sacrifice of clarity to effect, and rejection of the conventions of portraiture. In such works, Gros became the founding father of Romanticism and looked forward to, and hugely influenced, Romantic masters such as Delacroix and Géricault. A direct line can be drawn (or painted) between Napoleon on the Bridge and Liberty on the Barricades.

David was horrified. From post-revolutionary exile, he poured scorn on his former pupil and exhorted him to return to classical ideals. The sensitive Gros wilted under his glare and, betraying his nature, retreated into a sterile Classicism.

But the world had moved on. Delacroix and his Romantic followers dominated the Salon; Gros (and David) had nothing to offer. That is why this portrait resonates: Napoleon, marching forwards, looking backwards, becomes a metaphor for his creator. Gros had turned his back on his destiny, leaving suicide as the only rational, if Romantic, option.

I would like to write this story because although we are familiar with the external events – David’s entreaties, Gros’ reluctant retreat to Classicism, his suicide – it would be fascinating to try to get inside Gros’ mind and understand the conflict as he slid towards his suicide. The psychological conflict between what someone must do and yet cannot lies at the heart of every story.

This book is written in the voice of a female character. In my opinion it is completely convincing. Can you tell me a bit about how you found writing from a female point of view and if it was more challenging than writing in the voice of a man?

I was not intending to write in the voice of Alice. The novel was originally written in its entirety in the third person. I sent it to agents but the message came back that the story had possibilities but that Ed was too dull. This was a reasonable response to a page or so and a synopsis, because it was reasonable, if wrong, to assume Ed was the protagonist. For the same reason everyone can remember Michael Douglas in Fatal Attraction but not the name of the actress who played his wife.

Of course, I knew Alice was the protagonist rather than Ed because Ed is, for most of the novel, simply a ‘dangling man’ unable to shape events. I tried to raise Alice in the mix but eventually realised the optimal solution was to re-write the story entirely from her perspective.

The re-write was far more challenging as I was forced to confront male received wisdom about womanhood. I was unable to rely on instinctive responses to situations but had to question those responses. I had to reject stereotypes and be permanently alive to the danger of slipping into generic characterisation. This was a good thing as it allowed no writing on ‘autopilot’.

Ultimately, I tried to circumvent the imaginative leap required by writing less as a ‘female’ than as a ‘human being’. Although I hope Alice feels fundamentally ‘feminine’, she is ultimately a human being struggling with forces beyond her control. It is the conflict between what she believes (or thought she ‘knew’) and harsh reality, which undermines her belief, drains her self-confidence and sets in train the denouement.  

Have you ever known something you wish you hadn’t? Have you ever told a white lie that grew into something much bigger?

I know a secret about unhappiness and betrayal in a friend’s marriage that I wish I didn’t.

When I was a child I stole from the village sweetshop. I was caught and banned but was too ashamed to tell my parents. There was a second sweetshop that was further away, which I had to pretend I preferred. Although the lie never became bigger, it became ever more contorted as I attempted to justify why I “preferred” walking further to a less good shop. It was an early and salutary lesson in where lying can take you.

Generally, people are unwise to confide in me. Unless a secret is very important (as defined by me!), I’m not good at keeping it. For a while after university I was a stockbroker salesman. One day I rang a client and told him something and he responded: “Not only did I tell you that… but I told you not to tell anyone.” I realised I needed a new career.

I wonder now if one shouldn’t expect novelists to be good secret-keepers, or if it would be contradictory for them to be so. Their job, after all, is to take secrets and inner lives and expose them to the public gaze. It is the exposure, the breach of trust, that makes a novel interesting.

There are several big themes in this novel for example, truth, marriage, friendship and parenting. Was there one theme in particular you were interested in writing about?

All those themes you’ve picked up were of interest to me but if I had to pick one it would be truth. The lack of truth and the need to keep a secret is both the fount and engine of the novel. Around the time I was starting What Alice Knew I learnt a secret about my parents that made me question how far the basis of trust in a family is eroded if there are secrets. However, I was also conscious that children do not necessarily have a right to know everything about their parents, who are individuals struggling to live their own lives just as the children are or will. It is the conflict between these two conflicting but eminently justifiable positions that pulls Alice and Ed apart.

What question would you like to put to a book group about “What Alice Knew”?

I would like to ask how they found the ending. I believe (I would!) that Alice is a red-blooded, admirable and compelling if not necessarily always likeable character. Clearly the ending loses its power if the reader doesn’t share that view. Yet some readers who are engaged by Alice feel the ending is too open-ended. Obviously(!) I disagree. It is hard to go into detail without spoiling it, but I’d love if I reader could reach the critical moment and shake their head in disbelief, thinking ‘hold on, that can’t have happened’. But then, as they consider the trajectory of the book and the characters, they begin to think ‘yes, that could have happened’ and finally ‘not only could it have happened, it had to happen.’      

Can you tell us anything about your next writing project?

I have started a novel with the working title ‘Prospect Row’, which is the name of a street in Cambridge. The idea was sparked by a line in ‘What Alice Knew’. It occurs when she is trying to extricate herself from having to paint three portraits. The second man she calls, Alex Quoyle, is a property dealer ‘who preyed on old ladies with short leases’. There was something pregnant about that line. It begged questions. Although the book I have started has moved a long way from that character and idea, it is still about a property dealer whose life is going wrong and whose wife (in)advertently makes things worse. There will be a dead body, and a set of fingerprints and smoking gun, but again the focus will be on character and motive, and that little grey area we can all get lost in between right and wrong.

Thank you so much for such interesting and detailed answers. I really appreciate your time and really enjoyed hearing your thoughts. I am intrigued by your new novel and can't wait to read it!

What Alice Knew is available via Amazon and all good bookshops.

Don't forget to check out my blog posts, Twitter feed and website to find all you need to run a book club session on What Alice Knew.

For more book recommendations, reviews and Book Club questions and suggestions, follow me on Twitter @KatherineSunde3 or on the Bibliomaniac's Book Club pages on my website bibliomaniacuk.co.uk

#BibliomaniacsBookClub #June #TheWonder #EmmaDonoghue

JUNE'S BIBLIOMANIA IS FOR 

THE WONDER BY EMMA DONOGHUE 

Publsihed by Picador Sept 2016 



The Wonder

What is it about?

An eleven-year-old girl stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story.

Set in the Irish Midlands in the 1850s, The Wonder—inspired by numerous European and North American cases of “fasting girls” between the sixteenth century and the twentieth—is a psychological thriller about a child’s murder threatening to happen in slow motion before our eyes. Pitting all the seductions of fundamentalism against sense and love, it is a searing examination of what nourishes us, body and soul.
 


Read my review here: Bibliomaniac's Review of The Wonder

What props could you use to start a conversation about The Wonder?

  • a Bible
  • a Religious Icon 
  • a medical dictionary 
  • a diary 
  • a book about Florence Nightingale 
  • pictures and photos of Florence Nightingale and early nursing 
  • a map of Ireland 
Questions about The Wonder:

What are your reactions towards Lib's character? Is she likeable? Did your feelings change during the novel?

What do you think is the most important lesson Lib has learned through her nursing of Anna?

What impression do you get about Florence Nightingale from this novel?

List the motives behind each character in this novel.

There are many who could be held responsible for Anna's life threatening situation. Who do you think is most guilty?

What did you make of the ending?

The novel is about using stories to help children understand the world around them or discuss things which are upsetting or complicated. Were you ever told a story to explain something? What happened when you discovered the truth?

How did you react to Byrne as a character?

What does the novel say about the importance of ritual, religion and parenting?

This is an historical novel, rooted very firmly in a particular time and place. Does it have any messages for today's society? Are there any issues in this novel that will still resonate with readers now?

Which event, character or moment in the book is the real 'Wonder'?

There is a lot in the novel about repetition and interpretation of words and phrases. There is often a deliberate ambiguity or euphemism with some of the words used. Find some examples.

Why are riddles used in the novel?

What is the significance of the reference to the fairy tale Rumplestilskin?

Quotes to start a conversation with about The Wonder:

"Saving lives often came down to getting a latrine pipe unplugged." (page 21) 

"Was there a single aspect of life that this creature didn't see through the dark lens of superstition?" (page 103) 

"Could children ever be considered quite of sound mind?" (page 118) 

"Lib was revolted by this mathematical mumbo jumbo. Was it Anna who was suffering from religious mania of her whole nation?" (page 149) 

"Famileies all had their peculiar ways that couldn't be discerned by outsiders" (page 220) 

"Lib saw the point of superstition now. If there was a ritual she could perform that offered a chance of saving Anna, wouldn't she try it?" (page 260) 

"For the first time Lib understood the wolfishness of mothers." (page 281) 

"Neither the Creator nor Nature should be blamed for what human hands have wrought." (page 288)

"On the whole, we'd rather our days be unwritten." (Lib page 291) 

Where to hold your book group for The Wonder:

  • a bedroom 
  • a country lane / a walk in the country side (somewhere bleak and isolated) 
What snacks and drinks could you serve?

  • Porridge
  • Soup - of a broth like nature 
  • Oatcakes  / Bread
  • Water
  • Tea

If you liked this book and want to read similar novels try:

RoomWe Need to Talk About KevinThe Red TentEve GreenThe Rest of Us Just Live HereA Spell of WinterTiny Sunbirds, Far AwayA Swift Pure CrySolace of the RoadKnowledge of Angels


For more book recommendations, reviews and Book Club questions and suggestions, follow me on Twitter @KatherineSunde3 or on the Bibliomaniac's Book Club pages on my website bibliomaniacuk.co.uk

#RightHereWaitingForYou #RebeccaPugh #Review

Right Here Waiting for You


We used to be best friends… 
Magda used to be the girl everyone wanted to be – most likely to achieve her every wish. That is until suddenly her perfect life seems to be anything but!
Sophia has never regretted her life, sure it isn’t perfect, but being a single mum to a daughter she loves is pretty great. Perhaps she never moved away from home, or got to live out her dreams, but what she has right now isn’t so bad.
That is until an invitation to their school reunion arrives, throwing both their lives into a spin – because these two used to be friends and it might finally be time to face up to that one big mistake that happened all those years ago…
I know Rebecca Pugh through Instagram, her book reviews and blog. I had no idea she was also an author of several novels as well so I was intrigued to read her book out of curiosity as much as from the blurb and front cover!

I confess this is not my usual genre and not a book I might have otherwise picked up but I am pleased I did. It does exactly what it says on the cover - it is laugh out loud and it is a feel good comedy. And let's face it, sometimes we could all do with just that! I read it on a long train journey the other weekend and it was the perfect way to pass the time. This is a great lazy afternoon or holiday read!

I wasn't quite prepared for the opening chapter! It is entertaining and relevant to the story, but also quite graphic and explicit! All I will say is that Pugh writes in detail for several pages about this rather intimate encounter her protagonist is currently embroiled in! It leaves little to the imagination but I guess it's an original and engaging way to open a novel - it works in Bridesmaids and it works here!

Pugh's writing is fluent, well paced, well judged and her characters feel relatable. I think the premise of a school reunion is immediately compelling and also allows her to force her characters into uncomfortable situations which mean they have to confront things they've tried to run away from. It's also a great way to force characters to reveal more about their past to people that they have just met or have only seen one side of them. Above all it is also a story about friendship and I think this is really well captured and written about with the perfect balance of drama, emotion, tension and humour. It is a heartwarming and happy story.

Pugh has a light turn of phrase, knows what she is doing, structures the plot very well and delivers all that she promises from her delightful front cover and inciting blurb. It's a quick read and perfect to slip into your suitcase or overnight bag this summer. One reviewer on Goodreads said the book was "full of sass" and I really like this description!

I don't want to write too much in this review - not because I can't or that I'll give anything away, but more because I think the book can speak for itself. I would recommend it to anyone who loves this genre and loves reading about the dynamics between young women and the dilemmas and problems that face them.

Right Here Waiting For You will be published by HQ Digital on 31st May 2017.


REBECCA PUGH
Rebecca Pugh

Rebecca has a high profile on social media and I follow her blog gotbooksbabe.blogspot.co.uk (previously Hummingbird Reviews). I would recommend you check out her book reviews if you get a chance as well as following her on Instagram and Twitter @RebeccaPAuthor

You can follow me on Twitter @KatherineSunde3

#Review #TheWonder #EmmaDonoghue

The Wonder

An eleven-year-old girl stops eating, but remains miraculously alive and well. A nurse, sent to investigate whether she is a fraud, meets a journalist hungry for a story. 

Set in the Irish Midlands in the 1850s, Emma Donoghue's The Wonder - inspired by numerous European and North American cases of 'fasting girls' between the sixteenth century and the twentieth - is a psychological thriller about a child's murder threatening to happen in slow motion before our eyes.

I was very curious to see what Emma Donoghue would do next after the incredible success of "Room". In "The Wonder" she has returned to the past and to another country but still exploring the emotive and powerful issue of parenting, motherhood, the vulnerability of children and the lengths people will go to for the love of a child. The location, era and premise may be worlds away from that of "Room", but this book is as haunting, psychologically thrilling and unforgettable. I loved it. 

Donoghue's writing is powerful, taut and clever. She uses language masterfully and this novel allows her to play with repetition, misinterpretation, literal and metaphorical interpretation, euphemism and ambiguity. I loved the play on words, the double meanings, the difference between what the characters thought they heard and what was said and the sage reminder of how manipulative language can be. Donoghue also celebrates how powerful language can be - not just through its usage by the characters but also through her imagery and skilful prose. This is a book to savour. 

The historical and social context of this novel is fascinating and allows Donoghue to write about rationality and science versus myths and faith. Lib and Anna's family are direct contrasts representing the medical world view versus the spiritual. There are constant contrasts between what is obvious and clear and the different ways in which it is explained through a mythical angle. Lib, our plain speaking, no nonsense nurse and protagonist, is quick to dismiss the religion, prayer and wonder of the family and community although this is attitude is tested and challenged as the novel progresses. 

I liked Lib a lot. At first she seems hard, too clinical, a little arrogant but as the story unfolds and we learn more about her and more about the world in which she operates, the more I liked her strength, perseverance and dedication. It is her thoroughness, her persistence and her diligence while caring for Anna which leads to the dramatic climax. Lib's emotional journey is immense - it is a real awakening and perhaps even a kind of epiphany. I liked this. Obviously the story is about Anna and the mystery surrounding her "wonder" but actually it is much about Lib and the journey she finds herself on. I liked her wry comments, her disparaging responses to the family, her flaws, her angst and her deep hidden secrets. 

There are so many fascinating comments from the characters that reveal attitudes to religion, prayer, women, nursing and mental health that there is almost too much to talk about in this review. On the one hand this is a gripping, powerful, mesmerising read about a young girl and a nurse, on the other hand it is a complex novel about duty, negligence, stories, parenting, manipulation and guilt. On the one hand the reader is absorbed in trying to solve the puzzle as to how Anna has survived with no food for four months; it is a crime story, a mystery, a thriller. On the other hand it is a novel about the stories we tell each other and how easily these stories, warnings, rituals and scripture can be misunderstood or abused. 

I enjoyed the shadow of Florence Nightingale whose ominous presence was felt on some of the pages. I thought her characterisation was original and intriguing. Lib's own character was so formed by the opinions and teachings of Nightingale it made a dynamic contrast with the local Doctor of the tiny town in which Lib finds herself attempting to carry out medical duties. I think Lib was a great choice of protagonist as she is so different from what I expected. She is fierce and "blasphemous". She emphasises the differences in culture between Ireland and England at this time and captures the tensions that existed politically and socially between the two countries through her character and interaction with the Irish characters. 

Donoghue's evocation of 1850s Ireland was excellent and it was impossible not to feel the dampness of the peat, the darkness of the earth and the hold of superstition, prayer and liturgy over the community. 

I liked that every character had a motive - and not always a very worthy one. Even Lib has a questionable motive at the beginning. Each character appears to want to help Anna but actually their search for the truth behind her 'wonder' is avoiding their own personal search for truth, answers and acceptance. In their attempts to uncover the truth behind what is happening in the O'Donnell household, Lib, Byrne, the O'Donnells and Anna have to confront their own hidden secrets and fears and face some painful truths.  

Just as with "Room" when my eyes could barely read the words fast enough and I kept forgetting to breathe, "The Wonder" is equally breathtaking. It is thought provoking, multilayered and gripping. It is a fantastic psychological thriller and quite frankly, a real wonder. 


The Wonder is published by Picador in September 2016.

EMMA DONOGHUE

Emma Donoghue

www.emmadonoghue.com/

Emma is the youngest of eight children of Frances and Denis Donoghue. She attended Catholic convent schools in Dublin, apart from one year in New York at the age of ten. In 1990 she earned a first-class honours BA in English and French from University College Dublin, and in 1997 a PhD (on the concept of friendship between men and women in eighteenth-century English fiction) from the University of Cambridge. Since the age of 23, Donoghue has earned her living as a full-time writer. After years of commuting between England, Ireland, and Canada, in 1998 she settled in London, Ontario, where she lives with her partner and their son and daughter.


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