Monday, 17 October 2016

"The Girls Next Door" Mel Sherratt

The Girls Next Door (Detective Eden Berrisford, #1)

This is the first Mel Sherratt I have read - I know, I know, where have I been!! Well, it may have been my first but it won't be my last! I really enjoyed this quick, gritty and relevant crime thriller.

The story is about Deanna Barker who is brutally stabbed one evening. Six months later and a series of vicious assaults on local teenagers are carried out, disturbing the community of Stockleigh. It is up to Detective Eden Berrisford to decide if this is revenge for Deanna's death and try to catch the person behind the attacks, a job which becomes even more pressurised when her niece is one of the victims......

The book launches straight in with the upsetting scene of Deanna's death. Sherratt's writing immediately establishing setting, location and characters with a very self assured and confident voice. The scene, although disturbing, is definitely very believable and realistic. She has captured the mood, dialogue and relationships between teenagers with conviction and I was drawn into the novel quickly.

The chapters are short and alternate between various different characters. Although this did require a little more concentration at times to keep up with the various different narratives, it also ensured a good pace and I whizzed through the chapters like a high speed police car blue racing towards a crime scene.

I liked the large cast of characters. It gave Sherratt an opportunity to explore the themes and ideas in the story more fully and from various different angles which helped reflect the complexity of the situations. The only chapters that I felt occasionally broke my flow were those with Katie's letters. However, ironically, they were some of my most favourite sections as they were just so painfully sad. Sherratt captures the thoughts of a young, vulnerable girl in such a brutally honest voice it added great tension and poignancy to the plot.

The thing that interested me most was that although this book is clearly plot driven and essentially a great crime thriller about murder and kidnapping, it is also very character driven. There are lots of observations and insights about human nature. Although some of the characters are not always likeable, or behaving in a way that society can accept, Sherratt is exploring the effects of actions and the consequences or repercussions of things. The wide cast of characters helps her to explore the knock on effect of the events and how whole families cope with what has happened to them or around them. I was surprised when the various threads were all tied up before the ending of the book but then, Sherratt isn't just interested in solving the crime. The final pages aren't full of complex twists and revelations but more muddied with emotional reflection as the characters respond to the story's conclusions.

There are many characters with which to sympathise - and they're not always the ones you typically imagine them to be. Sherratt has written a disturbing and thought provoking thriller which tackles real life issues with conviction and authenticity.

This will surely be a hit amongst readers who enjoy a satisfying police procedural crime story.

For more reviews and recommendations please follow me on Twitter @katherinesunde3 (bibliomaniacuk)

"Tell Me No Lies" Lisa Hall

Tell Me No Lies

Don't. Trust. Anyone. And that includes yourself!

This is one of the most anticipated and most talked about thrillers on social media and I was unable to resist requesting it once I began to see the reviews from other bloggers! The story is about Steph who has just moved into a new house with husband Mark and young son Henry. She is newly pregnant and along with this promise of a new life growing inside her, she is also hoping for a new life for her whole family as they are trying to escape their previous one.

The prologue is suitably intriguing with the chilling lines:

Sometimes people aren't what they seem. Sometimes people set out to destroy everything they hold dear. And sometimes, that person is you. 

Then we meet Steph, our protagonist who narrates the story, as she moves into her new home. There are lots of clues and hints about a problems in the past, secrets and a tension between the couple as Steph says she "tries to see the man I married, not the man who broke my heart," and the "stench of decay that still surrounds our relationship." There are a few references to her "overwhelming sense of unease" as she takes in the new home and her new neighbours which builds a lot of suspense and clearly sets the readers' expectations high for a dark and sinister tale.

Steph's husband Mark is a bit of a slippery fish. In essence, he seems loving, dutiful and very committed, but then neighbour Lila introduces herself saying she met him last week which he has not mentioned to Steph. Although this perhaps in itself isn't too incriminating, it is an example of a kind of drip-drip-drip of little clues making us wonder whether actually, maybe we can't trust Mark. Steph doesn't seem to be wholly convinced she can trust him either, so naturally we are led question him too, especially as Steph proceeds to refer to "bad stuff" in the past when they have had problems.

By the end of the first few chapters it is clear Steph is vulnerable, troubled and trying to suppress a tendency to be overly anxious. Her sentence "maybe if I pretend for long enough that everything is going to be ok, it will be ok," reiterates this sense that she may be unstable or untrustworthy. Hall's use of cliffhangers at the end of each short chapter maintains the urgent pace of the novel and also the feeling that Steph's world is rather fragile and close to disintegrating.

I struggled a little with Steph as a character. She tells us almost too often that she'll try to make more effort, try harder, do whatever it is Mark wants of her, give Lila more time, be a better friend - keep a lid on her real feelings, close her emotions down a bit more......In a way the repetition is effective in suggesting that she is being patronised, manipulated or bullied by those claiming to be doing their best for her and someone with such a traumatic and unhappy past is clearly going to suffer from low self esteem and seek to please those around her. It also heightens the suggestion that she might be an unreliable narrator which I liked. But I just felt very occasionally that this weakness and vulnerability was a little over played and for me, there was a fine line between feeling sympathy for her and feeling frustration.

Lila is a great character. So controlled and carefully presented with a sixth sense for being in the right place at the right time, for her unfailing pleasantness and smooth explanations. Perhaps a little obvious and cliched, but satisfyingly suspicious in her fawning behaviour and the way she quickly makes Steph so dependable on her.

I must admit I spent the first 50% of the novel anticipating a twist and wanting to find out if my hunches were right. I changed my mind a few times about who I thought was telling the truth and who I thought I could believe which made it quite a compulsive read - even when I wasn't wholly in love with the characters I still wanted to know if I was right and how it would all play out!

But I to admit that the final 20% completely took my breath away. Suddenly Hall's story soars to a stunning climax which is full of twists and page-shaking moments when you start to fidget in your seat - trying to delve between the cover itself and grab the character's out of their precarious positions. It absolutely charges along on a wave of intense electricity and I really was impressed with the final denouement. The last few sentences are absolutely ingenious. And haunting.

So despite my reservations and cautiousness in the early pages, Hall completely caught me unaware with her clever and well executed ending which will rival all other current psychological thriller titles.

Really, this is a good book. But you don't need to trust me when I recommend you this book. After all, you shouldn't trust anyone. You should just trust yourself. After all, you can always trust yourself.........

Thanks so much to NetGalley and the publishers for approving me for an ARC of this book.

For more recommendations and reviews follow me on Twitter @katherinesunde3 (bibliomaniacuk)

"Saving Phoebe Murrow" by Herta Feely

Saving Phoebe Murrow

I love the cover for this book and that is the only downside about reading it on a kindle! It's also extremely metaphorical for the subject of this book - such a simple image but one which conveys so much about the relationship between a parent and a child and the questions about the level of control, freedom and trust that should exist between them.

The strap line on the cover asks "Have you ever wanted to be the perfect mother?" Well, doesn't everyone? Despite what we say aloud, most of us are still chasing the holy grail of "getting it right" -  I am beginning to adopt Anoushka Beazley's title "The Good Enough Mother" as a more realistic goal, although there are plenty of times when even that feels unachievable! So naturally this cover is eye-catching and intriguing and I think it will be a popular choice for a lot of female readers.

Isabel Murrow is precariously balancing her career and her family. Hard-working and caring, worried but supportive, all Isabel wants, in a perilous world of bullies and temptations, is to keep her daughter Phoebe safe. Phoebe has just attempted suicide. She says it is Isabel's fault.

Saving Phoebe Murrow is a timely tale about an age-old problem - how best to raise our children, and how far to go in keeping them from harm. Set amidst the complicated web of relationships at the school gate, it tells a story of miscommunication and malice, drugs and Facebook, prejudice and revenge.


The story opens with teenage Phoebe meeting Shane through Facebook and her excitement about arranging to meet him. The line "his handsome Facebook visage hovered in her mind" leaps out at the  reader with blazing red lights and immediately raises the question of Shane's real identity. Phoebe's naivety and desperation for Shane's affection all too worryingly palpable for the mother's and father's amongst us. Then Feely pushes on, throwing Phoebe into a deeper state of anxiety as Shane starts to argue with her online and we witness her humiliation and frustration as she quickly loses control of the situation.

"In the four weeks they'd been communicating she'd never heard his voice.........If only she had his cell number....."

Alas for Phoebe, this exchange remains very public. It's not even through private messaging but on her Facebook wall, for all to see and for all to join in. The rate at which this conversation suddenly becomes an unrestricted onslaught from what feels like hundreds of other voices is scary and it is impossible not to fear for Phoebe's vulnerability when she is stripped of any opportunity for explanation.

Phoebe is not a bad child at all, she is likeable and normal. Basically she is struggling to keep up with the dynamics, rules and behaviour of a clique of girls and to survive the fragility of friendships that can have such an influence on children at this age. She's confused and torn between two girls and her need to be accepted and liked override anything of more substance. Frustratingly for Phoebe, it appears to be her mother Isabel who causes trouble for her by interfering, punishing and involving the police in an attempt to teach Phoebe about actions and consequences.

Strangely I sympathised with Phoebe more than perhaps I was meant too. I think it's very easy to relate to that sense of injustice one feels as a teenager through those years when you're trying to establish yourself as an adult and seem continuously locked in a battle against your parents for understanding, freedom and fairness. This is a theme that will forever make a good premise for a novel. Feely breathes new life into her exploration of this relationship with the very timely use of social media, in particular Facebook, and the added threat this can have for young people as they begin to go out later, mix with teenagers you know less about and make their own friends.

Isabel, for all her faults and flaws, is only doing what she feels is best. She is perhaps too heavy handed at times but she is also a thoroughly modern mother juggling a family and a career. She loves her daughter deeply and is all too aware of her daughter's vulnerability, but this overprotection sees her making decisions too hastily without considering the ripple effect in a world where there is no such thing as doing anything anonymously anymore - all actions, conversations and relationships can be traced, watched and shared.

Ron, Isabel's husband is a slightly annoying character. His ideas on parenting are the opposite to Isabel. When talking to a fellow father one evening, he realises that perhaps Izzy is overreacting or too controlling. He knows his wife can be difficult and has "strong feelings about child rearing" but I felt that he could have done more to support her. He obviously feels quite threatened by her and intimidated by the fact she earns more than him. He has also been unfaithful and his commitment to Isabel and Phoebe is questionable. It also adds more tension to the marriage and therefore more tension to the situation with Phoebe.

Isabel does try to seek counsel from other parents when considering how to set boundaries for Phoebe but is given short shrift. Her conversation with Lorraine, Emma's mother is particularly revealing. Lorraine says "there's little I can do about the choices she makes each day after she leaves the house," but Isabel's dilemma comes from the fact that she thinks there is. "There are things a parent can do, in fact is obligated to do, to keep her child on the right path," she thinks to herself. But how far should this influence and control go? What is the limit to the limits you should put on your child? If other parents aren't taking the same precautions, does that make them weak parents or are you too heavy handed?

And what is worse, thinks Phoebe after talking with Emma, "a mom who cared about every little thing or a mom who couldn't care less?"

Isabel struck me as quite unhappy and lonely. She is angst ridden and obsessed with her daughter. She is still in the shadow of her father and his imposing influence. She remembers he told that the "best lessons are as painful for the parent as the for the child." She believes she needs to be stronger, refusing to back down or re-negotiate with Phoebe even when "it makes her ache inside." She frequently refers to Phoebe's comments and how deeply they hurt her. It is clear that although she thinks she is doing her very best for Phoebe by working, providing and being a mum, in Phoebe's eyes, her mother's career comes first. This really is a tale about a modern day mother who is trying to negotiate the tricky road of parenting a modern day teenager in a modern day world.

The family are not particularly happy. Although the crux of the novel centres around Phoebe's friendships and relationship with social media, there are many other themes faced by the characters, adult and child alike. There are numerous points worthy of discussion, some more controversial and obvious than others but certainly this is a thought provoking read for our time.

Phoebe self harms. I felt that this was written about with sensitivity and authenticity, but I did wonder if it added one too many layers to the issues already in the novel. Although perhaps integral in some ways to Phoebe's character, I did feel that maybe it is quite a lot to explore both self harm and the dangers of social media within the same pages. However, that said, the mental health of our teenagers is currently a huge concern and a very serious problem. These two issues are probably much more prolific and much more hand in hand than we realise.

The thing that I liked most about this novel was also the very thing I found most difficult about it! The characters are not likeable; they are heavily flawed and they make frustrating decisions. But they are vivid and created convincingly. They provoked an emotional reaction from me which is an indication of their success. The novel explores traditional themes of jealousy, love, protection and marriage but with an injection of contemporary concerns. Life is not black and white. Life is complex. Decisions are riddled with dilemmas and repercussions. Parenting is a highly emotive subject and a highly subjective job.

This is a Jodi Picoult kind of novel, full of domestic drama and I would recommend it to people who can cope with characters who are sometimes frustrating, sometimes unlikeable but faced with the challenges and complexities of issues we are all confronted by. This is a book to generate discussion and perhaps divide opinions, but never judgement.

Thank you NetGalley for an ARC of this book.

For more recommendations and reviews please follow me on Twitter @katherinesunde3 (bibliomaniacuk)

Sunday, 16 October 2016

**Killer Women Festival 2016** My Review



Yesterday I had the chance to attend the first Crime Writing Festival hosted by Killer Women in Shoreditch Town Hall. It was amazing.

It was criminally good, with criminally brilliant women (and men!) and without a doubt, an absolute killer of a day!

I cannot thank No Exit Press enough for sending me along to my first ever Literary Festival. I am so grateful!

So, be warned, there are going to be a number of posts sharing things I learned, heard and did there over the next few days, but for now, I'm going to start with a little review of the day's highlights!

CRIMINALLY GOOD CHOICES - Which sessions did I go to?

HISTORY & MYSTERY: WRITING MURDER IN THE PAST
    Kate Colquhoun, D E Meredith, Kate Summerscale, Andrew Taylor & Fern Riddell
    Hosted by Alison Joseph
FRESH BLOOD: DEBUT WRITERS
    Paul Burston, Michelle Davies, Agnes Ravatn, Chris Whitaker
    Hosted by Sarah Hilary
INSIDE THE KILLER'S HEAD
    Jane Casey, Tammy Cohen, Kate Medina, Emma Kavanagh
    Chaired by Kate Rhodes
WRITING THE PSYCHOLOGICAL THRILLER
    Tammy Cohen and Amanda Jennings
SILVER SCREAM: I PREFERRED THE BOOK /FILM
    Louise Doughty, Paula Hawkins, Alex Marwood, SJ Watson
   Chaired by Erin Kelly

CRIMINAL STALKING / FANGIRL MOMENTS:

  • Hearing Kate Summerscale talk- loved "The Suspicions of Mr Whicher"!
  • Meeting Chris Whitaker and Michelle Davies in person after only having spoken to (or stalking..) them on Twitter, and getting them to sign copies of their books for me! Definite highlight of my day!
  • Listening to Amanda Jennings and Tammy Cohen talk about writing a psychological thriller - such a thrill to see them in the flesh and hear their top tips!

In Her Wake













  • I saw "The Poison Tree" by Erin Kelly on TV in 2012 after having already read and enjoyed it. It was great to hear her comments about adapting her book to TV and I really enjoyed listening to her interview her panel.
  • It was exciting to hear Louise Doughty talk about her forthcoming TV adaptation of "Apple Tree Yard" as this is a book which circulated rapidly around my group of friends!

Before I Go to Sleep

  • SJ Watson's story of his journey to publication and film production is like a fairy tale and it was really interesting to hear him talk about how his book translated to film. I adored his book as I had never read anything quite like it, and it was one of the most talked about books in my friendship group - as was the film! It was a controversial topic of conversation so I enjoyed listening to him as well as hearing all of the opinions and thoughts from the panel!

AUTHORS I WILL BE ADDING TO MY MOST WANTED LIST:

Not strictly an author, but historian Fern Riddell's comments were really fascinating and I will look out for the tv programmes where she has been a consultant - like "Ripper Street" (how have I not seen that!!)

Agnes Ravatn - her book "The Bird Tribunal" sounds amazing and I was so disappointed that the bookshop ran out of copies so quickly....... Sarah Hilary described it as "Rebecca with fjords". I've got to have it- desperate to read!

The Bird Tribunal

Jane Casey is a woman with a killer imagination. I am going to look out for her Detective Maeve Kerrigan series (of which there are 6!) after hearing her talk about the psychology of her characters. 

The Burning (Maeve Kerrigan, #1)















I have only read Erin Kelly's "The Poison Tree" but after hearing her talk and seeing her lead such a good discussion I am determined to look up her other titles and catch up with the rest of her books! 

The Burning Air

THE PANELS' TOP TIPS FOR BEING A CRIMINALLY GOOD WRITER:

  • All of the History Or Mystery Panel use notebooks and pens to record their initial research and ideas - apparently "The Welcome Collection" has some particularly beautiful pads to choose from!
  • The idea of what really goes on "behind closed doors" is the most fascinating trigger for a great thriller or crime story - said by just about every writer I heard speak today!
  • Agnes Ravatn found that the only way she could cure her alleged writer's block was to delete her Twitter and Facebook account and go cold turkey with social media - she has written a self help book called "Operation Self Discipline". Although I also like her idea of locking yourself away in a cabin in the middle of nowhere for three weeks and just writing!
  • The path to publication is the same for everyone. Whether you have never ever had anything published before or have already been a journalist or screenwriter, you still have to face the challenge of getting through the slush pile. "You live and die on the book you write," says Michelle Davies which I hope inspires all of us to keep on going with the dream of joining the Killer Women Team!
  • "What's happening to the character's mental state and what's going on in their mind can be much more frightening and scary than any description of physical violence and gore," said Kate Medina
  • "Writing about a psychopath isn't always as frightening as you'd think - the writer controls the character in their head and is so involved in the mental workings of their mind that they understand their behaviour -which makes it less terrifying," explains Emma Kavanagh - but I'm not sure I'm convinced!!!
  • "The motive of your protagonist has to "stack up". It might not be rational or completely plausible but it has to be true to your character. The reader has to believe it is plausible for that character." advised Tammy Cohen but echoed by many of the authors.
  • "Before you start writing your novel, choose a "1 line pitch" (sum up your book in one line). This is the heartbeat of your story - never lose sight of it and keep asking yourself if the section you are writing is true to this essence of your story." Tammy Cohen and Amanda Jennings
  • When writing, always ask yourself, "What if?" - Tammy and Amanda but echoed by many others!
  • "It's impossible to satisfy readers with a TV/Film version of a book as no one reads the same book in the same way as it's such an internal, personal experience," concluded Paula Hawkins
  • Writing a novel and writing a screen play are two very different disciplines - write to tell your story, and indulge in some "fantasy casting" (!) - if it gets optioned it's a (rather enormous) bonus! was the general consensus of the whole Book V Film panel. 

MY TOP TIP:

Don't be fooled by any of these attractive, intelligent, creative, supportive, interesting, friendly and warm women that you saw at the event today (or the men either!!). They are killers. They have exceptionally criminal minds and write about terrifyingly criminal characters!

BOOKS MOST RECOMMENDED/ MENTIONED BY THE KILLER WOMEN THROUGHOUT THE DAY:

Gone GirlI Let You GoI See YouHannibal (Hannibal Lecter #3)The Shining (The Shining, #1)


PATHOLOGICAL SPENDING AS MORE CRIMINALLY GOOD READS JOIN MY TBR PILE: (or what I bought....)

The Devil's RibbonTall OaksGone AstrayFire Damage (Jessie Flynn, #1)

Hidden

ITEM IN THE GOODIE BAG IS MOST LIKELY TO LEAD TO A CRIME BEING COMMITTED?

The free chapter sampler of "Behind Her Eyes". There is already a huge buzz about this book on social media and I would kill for an advanced copy! 

But seriously, the amount of extracts and samples given away in the goodie bags was amazing - such a treat and so very generous. Thank you Killer Women. Although it was  little cruel to tease us with only the opening of so many books - I know I will end up having to buy all of them! 

Behind Her Eyes

Thanks again to all the Killer Women and all the sponsors, volunteers and publishers that made the day possible. It was such a treat and so inspiring. A truly fantastic day. 



Thanks again to No Exit Press for sending me along! 


For more reviews, recommendations and further posts on the Killer Women Festival, follow me on Twitter @katherinesunde3 (bibliomaniacuk) 

Friday, 14 October 2016

"The Secret" Kathryn Hughes

The Secret

Mary has been nursing a secret. Forty years ago, she made a choice that would change her world for ever, and alter the path of someone she holds dear.

Beth is searching for answers. She has never known the truth about her parentage, but finding out could be the lifeline her sick child so desperately needs. When Beth finds a faded newspaper cutting amongst her mother's things, she realises the key to her son's future lies in her own past. She must go back to where it all began to unlock...The Secret.



"She had first married Thomas Roberts in the school playground when she was five years old."

This is one of the most lovely first lines I have come across. It sets such a warm, tender, romantic opening for a story which proceeds to be one of love, loss, tragedy and resolution. I was entranced from the beginning. 

Sadly, the promise of true love does not hold for Mary and Thomas. Set in 1975, we are quickly drawn into  the social and historical setting of the mining town where the story begins, joining the Roberts as they begin their married life together with the hope of a new baby, the underlying sense of danger for Thomas as he returns to his shift down the mine quietly hovering in the background. 

Tragedy strikes in chapter 2 - to be honest, it's not that much of a surprise. Hughes has set the stage purposefully and the reader senses something terrible is about to befall the happy couple- you can almost hear the orchestral accompaniment playing alongside, preparing us for the inevitable disaster. No book can sustain such contentedness - what sort of novel would that make?!

And even though we can guess what's happening, the melodrama is well executed. The "incessant ringing" pulling Mary from a "groggy" and "dreamless sleep" at 3.37am, the gloom, dizziness and breath of both the listener and the speaker all creates a highly charged scene. 

We then move to 2016 and are introduced to Beth, Michael and their son Jake who desperately needs a kidney transplant as he lies in hospital receiving dialysis. Beth is highly strung, anxious and stressed out with the worry, aware that she is over reacting and stretching the patience of her husband but equally, and understandably, unable to stop herself. 

We discover that Mary is Beth's mother and has just passed away. While trying to distract herself from the scene in the hospital, Beth goes to her mother's house to sort through her belongings. There she finds a newspaper article and a letter. The reader is not shown these items or given any clues - except that they make Beth throw up. She suddenly wants to be back with Michael as she reassures herself that is her family now where there are "no secrets or half truths to muddy the waters of her very existence." 

Well, so she thinks!

I loved the intrigue Hughes creates at this point in the novel. We then return to 1976 and follow the story from there to modern day. Clues, suggestions, revelations and realisations peppering the chapters along the way creating tension, excitement and suspense all the way until the end. 

There is a large cast of characters and although I struggled a little at times to place where everyone fell in the jigsaw and how everyone was connected and related, Hughes manages the various threads well. I really enjoyed piecing the story together and watching the "secret" get buried, half discovered, fully unearthed and then watching how the subsequent ramifications played out. 

The characters are all very lively and vivid. Hughes ensures that sympathy, empathy and understanding is directed at the right people at the right time. Her dialogue, historical and social detail are all authentic and this book flows with ease, the pages almost turning themselves. 

There is not a sudden twist or rug-pulling moment as the truth behind the secret comes to light. This novel is more about relationships, human cost and the emotional turmoil of the people affected. Hughes is exploring parenthood, maternal love, forgiveness and families rather than trying to shock us with contrived revelations. It's an emotional and emotive read. 

Reviews are full of words like "poignant", "tender," "uplifting" and "moving". I would agree with all of these. I raced through "The Secret" as it is engaging and there are plenty of characters to care about. The dual time line keeping the reader intrigued as we are aware that somehow the stories must collide. 

This is an easy read. If you like Catherine Law, Sharon Maas, Jojo Moyes, Amanda Prowse, you will enjoy this novel. It sits comfortably in the historical romance genre and would sit very nicely on your armchair one evening or weekend! 

For more information you can follow Kathryn Hughes on Twitter @KHughesAuthor and also through Headline Press. "The Secret" published in September 2016. I received my copy from Bookbridgr. 

For more reviews and recommendations from me, you can follow me on Twitter @katherinesunde3 (bibliomaniacuk) 

"Hide and Seek" M J Arlidge





















This is the 6th book in Arlidge's best-selling series about DI Helen Grace. 
She's spent her whole life hiding.
Behind the badge. Behind her reputation as one of the country's best detectives. Until - framed for murder - she became one of its most high-profile prisoners.
Now there is nowhere to run. Nowhere to hide.
Because HMP Holloway is a place of dark days and long nights with dangers at every turn. Despised by the inmates and reviled by the guards, DI Helen Grace must face her nightmare alone.
And then a carefully mutilated body is found in a locked cell.
Now Helen must find a ruthless serial killer. Before the killer finds her.

Book 5 in the DI Grace series, "Little Boy Blue", ended with a real cliffhanger and this book picks up from that point with Helen framed for murder.

I have not read all 5 DI Grace thrillers but I have read the last couple, so I was up to date with the characters and the backstory. It is possible to read "Hide and Seek" as a stand alone, but it will be more rewarding to read the series in order. The best thing about Arlidge is that his writing style is very readable and his books are real page turners so it won't take you long to catch up with the back catalogue!

I actually thought this was one of the best books so far in the series. It is set inside Holloway Prison and there is something deeply claustrophobic and menacing about this. The entire atmosphere from the very beginning is uncomfortable and oppressive. I haven't read many books where the action is so firmly placed within the confines of cells and it certainly increases the tension and suspense.

Arlidge emphasises this sinister atmosphere by describing Leah's fear as she tries to return to her cell:

"Lock up was only fifteen minutes away and Leah knew that if she could make it back to her cell she would be safe. .........They knew. And now they were coming for her. It was just a question of where and when. Holloway Prison is a maze of narrow, ill-lit corridors, with numerous opportunities for ambush. Leah knew the terrain better than most - she'd been here five years already - but that was no guarantee of safety. Not when you were being hunted by the pack."

There is an overwhelming sense of malice and I liked the predatory descriptions of the other cell mates. The sense that Leah is being hunted and that Helen is under threat create an intensity. The knowledge that they are so confined and trapped by the prison induces a great deal of panic in the reader.

Helen's character is really interesting and Arlidge is ably sustaining her appeal and attraction with each instalment. She is brave, intelligent, always willing to take risks and fight for the truth. She can be quite formidable. What's really interesting in this book is the complete role reversal a police officer is now the prisoner. Being a police officer in prison is by no means going to be easy.

"In her former life, she'd been a respected police officer - she would have dealt with someone like Campbell swiftly and decisively - but now she was powerless to act. In here she was the butt of all jokes, an accident waiting to happen, a handsome trophy for any inmate brave enough to chance an attack. "

Arlidge creates a very stressful situation. How is Helen going to prove her innocence while on trial herself, locked away in a cell? How is she going to prove there's a serial killer still out there while also trying to keep herself alive? This book does not shy away from the dark and the dramatic!

"In Holloway, danger was only a heartbeat away."

It is a very engaging read, a real page turner and you'll find yourself flying through it, engrossed in Helen's plight and the terrified by the portrayal of prison life. The details and description ensure a real sense of authenticity and the characters are all very well drawn. It was certainly easy to picture. Fortunately my only experience of prison is from "Orange is the New Black" but there were some incidents in the book which stayed with me and left me squirming.

"as she took her first spoonful of porridge, she soon discovered how naive she'd been. As she broke the thick skin, a fat cockroach wriggled to the surface, fighting for its life in the thick, milky brew."

Arlidge's writing is full of pace and his concise yet effective imagery is very powerful. For example in his description of a victim's body he writes:

"A road map of trauma, neglect and self hatred. ....This was not a woman who'd thought much of herself or who'd found much succour in life."

There is a strong cast of secondary characters who are also well depicted. Charlie Brooks is out there trying to fight to prove Helen's innocence and I also liked some of the inmates - or the idea of a police officer having to trust the words of a convicted murderer as part of their research.

If you're a fan of MJ Arlidge then this instalment will not disappoint. If you are looking for a new detective thriller series then I would also highly recommend that you introduce yourself to Helen Grace as soon as you can! I think the location and premise for this particular book make it stand out as a particularly exciting read!

Thanks to NetGalley for the ARC.

For more recommendations and reviews, please follow me on Twitter @katherinesunde3 (bibliomaniacuk)

"The Jeweller's Wife" Judith Lennox

The Jeweller's Wife

An epic tale of love and loss, passion and betrayal, that moves through the turbulence of war to 1960s' London.

The golds and yellows of this book cover are very eye-catching yet calming. I think they capture the essence of the novel - alongside the brief statements promising secrets, affairs and legacy with the added words passionate, dark and tainted. It is indeed very tantalising.

I picked this book because I'd seen a few reviews and I fancied something a bit different- something that I could immerse myself in, much like a very deep bubble bath.

Synopsis:

1938. As England awaits the outbreak of war, Juliet Winterton journeys from the Mediterranean to the Essex countryside to begin her life as the beautiful young wife of a London jeweller.

But beneath her husband's intelligence and ambition, lies a cruel and ruthless man. And when dashing politician Gillis Sinclair comes to stay at Marsh Court, Juliet is drawn to his irresistible charm.

So begins a passionate affair that will have consequences far beyond anything Juliet imagines. For Gillis Sinclair is hiding a dark secret and, as the next generation of Wintertons grows up, Juliet fears that they, too, will be tainted by the past...



"The Jeweller's Wife" is 501 pages long. It is a very obviously a saga but it did not feel like an arduous read. Lennox's writing is well paced, she doesn't dwell on overly long descriptive passages, preferring to continue with the plot and dialogue of the protagonists. This allows the reader to sweep through the decades with notable speed.

Initially I did feel a little distant from all the characters as we follow their lives at quite a pace, but this also enables Lennox to follow several character's stories and to span the decades which is indeed the feature of a more epic novel. In fact perhaps it is refreshing to see the whole history of a family played out over the course of time rather than a more intense snap shot of a particular moment.

Juliet, our central protagonist, is an appealing character. She's vulnerable yet brave, intelligent yet undermined by her horror of a husband Henry. There is fairly little that is likeable about him and his desire to humiliate her, patronise her and forever remind her of his financial power over her. I was shocked in the section when he returns home from the war and they see each other for the first time in several years. One always imagines a peachy soft focus, an orchestral soaring of strings and beatific smiles. However, Henry's greetings are "Good God the state of the place," and to his very young son, "His hair needs cutting."

It is therefore a relief when we meet the charming character of Gillis. The contrast between the men is deliberate and obvious. This also helps Lennox explore themes of love and marriage. Juliet with her desperate attempts to try and fall in love with Henry despite his destain for her "sugary, sentimental love" which "blurs vision and judgement." Their unhappiness and Henry's ugliness towards Juliet is unpleasant and makes for a very satisfying melodrama - Henry as a villain and Gillis the knight in shining armour.

However the exploration of love continues. With all great sagas, or stories that span a woman's full life, Juliet has much heartbreak. "She had no talent for love," she reflects at one stage and we are cleverly left hanging at the end of Part Two with her sad thoughts that she "could not ever imagine loving a man again."

The Winterton family house is near a causeway and I found the descriptions, reference and background setting of this very effective. It adds mystery, danger, romance and fear to the story but also a slightly more mystical or ethereal feel. For me too, there are plenty of connotations regarding other stories that use islands and causeways to weave tales of woe and tragedy and I think this helps Lennox exaggerate the twists and turns of the family's story.

This would make a good holiday read or weekend away novel. I would recommend to anyone who likes to immerse themselves in the lives of a whole family or to fall in love with a female lead as they grow from child to woman. There is a lot of historical referencing which Lennox has clearly researched well and this adds further appeal to the characters and their narratives. It's a satisfying read. Lennox shows great skill as a writer in being able to sustain a tale across 500 pages, weaving plots across the decades and touching on such a range of characters, each with their own part of the jigsaw.

I received a copy of this book from Bookbridgr.

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